Ivonne Thein

Ivonne Thein (Berlin) is a multidisciplinary artist who works with the media of video, sculpture, performance, photography and mixed-media installations. In her practice, she reflects on the current body images of a digital culture that is fundamentally changing through extensive technologization. Based on stock photography, she started a collaboration with AI systems to explore the transformation of the physical body and its virtual representations in the visual culture of our time. Her works have been shown in international exhibitions, including at the Center Pompidou Paris, Fotomuseum Winterthur, Lentos Linz and CO Berlin.

Using AI in visual art and art installations : three examples

On May 29, 2024 at 05:00 PM (UTC+1)

Ivonne Thein will give an insight into her work with AI-based systems using the example of three multidisciplinary projects that have been created in the last two years.

Ask your questions to Ivonne Thein!

What ethical considerations arise from the ownership and creation of AI-assisted art?

by Sophie Schmitz  


What ethical considerations arise from the ownership and creation of AI-assisted art?

by Sophie Schmitz  


What do you think about the ownership of art created with the assistance of AI? Is it primarily a human creation or an output of the AI itself? Whom does the artwork belong to since this topic is still not quite clear with the current regulations.

by Niklas Evmenenko  


How have audiences reacted to your work in different exhibitions, and have you noticed any cultural differences?

by Eva Madl  


How do you proceed with the AI to create sculptures? How does AI permit you to create 3D objects that have just been produced by the algorithm?

by Antonin Couton  


Has your personal perception of the human body changed as a result of the collaboration with AI systems? If so, in what way?

by Melanie Bauer  


How does the physical presence of these sculptures in the exhibition space influence the audience's perception and interaction compared to displays of purely digital content? The sculptures do not seem to be exact recreations of the AI generated content - do you create them with the intention of eliciting some specific reactions, like for example of being disturbed? Or are they the result of what the AI generated content makes you yourself feel?

by Anastasia Shulman  


Could you explain if there is a connection between the AI-generated sounds (e.g., nature, human, etc.) in "META BODIES" and the placement of the patches on your body?
I like your ideas in TECHNO BODIES. A growing tendency towards objectification encodes the body as an arbitrarily manipulable mass. Although I felt uncomfortable after I saw the exhibition on the website. But, this is what you would like to present.

by Kuan Hua Chen  



What ethical considerations follow from the use of AI in the transformation and representation of contemporary visual art?

by Johanna Fritzmeier  


Given your extensive use of various media and AI in exploring the transformation of body images in digital culture, how do you see the role of AI evolving in the artistic process, and what potential ethical considerations do you foresee with the increasing collaboration between artists and AI systems?

by Junghyun Lee  


Which difficulties did you encounter while experimenting and working with AI tools? Did it influence your creative process?

by Mercedes Neuwirth  


What challenges have you encountered while integrating AI into your art practice? And What future directions do you see for AI in the field of visual art ?

by Daeun Jeong  


What are some ethical considerations you take into account when working with AI and digital representations of the human body?

by Sumin Lee  


How do you choose the AI systems you work with for your projects? Are there specific criteria or characteristics you look for in these systems?

Are there any ethical considerations or societal implications that you think artists should keep in mind when incorporating AI into their work?

by Timo Warendorf  


Whats the biggest difference in the reactions of people between your installations with ai and convetional installations?

by Samuel Pucher  


In what ways do you see AI influencing or changing the future of visual art and installations?

by Kathrin Liesens  


Are there any technologies currently in development (e.g. Sora, which isn't yet publicly available) that you are planning to use in future works?

by Michael Buchholz  


Given your collaboration with AI systems to explore the transformation of physical bodies and their virtual representations, how do you navigate the ethical implications of using AI in your art? Specifically, how do you address issues related to bias, representation, and the impact of technology on body image?

by Lea Zeilbeck  


In your opinion, what direction do you see digital culture and body image representation taking in the next decade with the advancement of AI?

by Marla Ridzewski  


Your work explores the transformation of body images through digital culture: how do you think AI will continue to influence our perception of the body image?

by Jannik Vieler  


Can artificial intelligence truly bring about a significant change in our understanding and representation of the human body, considering that AI itself is not 'intelligent' in the human sense?

by Katharina Grünwald  


Can artificial intelligence truly bring about a significant change in our understanding and representation of the human body, considering that AI itself is not 'intelligent' in the human sense?

by Katharina Grünwald  


Can you tell us about any surprising discoveries you have made while working with AI systems in your artistic practice?

by Annika Grauer  


Can you tell us about any surprising discoveries you have made while working with AI systems in your artistic practice?

by Annika Grauer  


How do you handle BIAS in the context of representation of the human body?

by Lars Danz  


To what extent should artists consider ethical concerns when utilizing AI systems in their artwork?

by Charlotte Bettermann  


How do you think AI will or will not be limited by the data we input when it starts generating?

by LiHsuan Chang  


In what ways has your collaboration with AI systems influenced your exploration of body images and their virtual representations in contemporary visual culture?

by Amir Al Nahawandi  


How do you ensure that the artwork produced through your collaboration with AI reflects your distinct artistic style rather than conforming to generic or widely replicated aesthetics, thus ensuring the creation of something truly unique?

by Lena Ertl  


How does the interaction between physical sculptures and their AI-generated counterparts influence your artistic vision, and to what extent do you see differences in the audience's perception of these works?

by Daniel Wiesenfeld  


How does the audience react to art installations created with the help of AI compared to traditional art installations?

by Sarah Obermaier  


What were walls you hit on the way concerning the limits of Ai. And how did obsticles change your way of working with the Ai.

by Moritz Kummer  


How does the collaboration with AI systems influence your artistic process and the aesthetics of your works?

by Marco Kosa  


What challenges have you experienced in integrating AI into your artworks and how have you overcome them? How does working with AI systems influence your artistic practice and your view of the human body?

by Isabella Deisinger  


As a student, I'm constantly searching for inspiration. Who or what are some of your major influences in both the art and tech worlds, and how have they shaped your artistic vision?

by Metolli Xhenis (Jenny)  


When starting a project, do you have a clear vision of the outcome of your project? Or else, did the algorithms surprise you? Did the outcome of the algorithms inspire you?

by Gudrun Socher  


do you think using ai even in an artistic context comes with some ethical challanges? or do you think using ai in this artistic context is especially necessary to get to the deep questions about ethical ai behaviour and how we as a society want to approach it

by Julius Greppmair  


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